酒店美術標識相互博弈又相互支撐的關系

從某種程度上來說。美術館標識不僅體現(xiàn)了一個時代的人在美術層面的認識論和知識結構，其本身也適應時代文化知識的要求，Er的。帶上發(fā)展，因此如果沒有這種虛構的邏輯，美術館就會從一個表癥的空間變?yōu)橐粋€缺乏意義的倉庫和展廳。這水機構之間存在著一種相互博弈又相互支撐的關系。這種關系和權利之間也有著千絲萬縷聯(lián)系。權利和知識的態(tài)度變化匯率。但是機構的轉(zhuǎn)型，在酒店美術館和構建美術館的知識護衛(wèi)共構的過程中，有知識本身的調(diào)整。美術館實際的所指也在調(diào)整，從公共空間的角度看，它決定了公共這一概念所指的變化。美術館空間不再是一個限制出入的場所，相反，他成為一個公共文化空間。

向全體公民和全世界來看他。多大的大。由于美術標識關于知識和權力相關，酒店美術標識某種程度上來說，美術館既是主流文化的標準空間。也一直是文化政策扶持的重點，與美術館為代表的公共文化設施的運營就占據(jù)了國家大部分的文化預算。美術館屬于公共文化領域，它需要去反映公眾的利益，然而在最近的幾十年中，多樣性和全球化已經(jīng)逐漸重新定義了民主，國家就是用作的方式，在這樣的背景下的管理和定義文化機構的時候，我們不得不提出一個問題，把我們把美術館成為公共文化空間的時候，我們說的公共究竟是什么？它真的是屬于公共的嗎？公民的概念有什么新的變化？這一變化意味著美術館本身產(chǎn)生什么影響。

The relationship between art logos game and mutual support

To some extent. The logo of the museum not only embodies the epistemology and knowledge structure of the people of an era at the level of art, but also adapts to the requirements of the cultural knowledge of the era, Er's. Bring development, so if there is no such fictional logic, the art museum will change from a symptomatic space to a meaningless warehouse and exhibition hall. There is a relationship of mutual game and mutual support between these water institutions. There are also inextricable links between this relationship and rights. Attitudes to rights and knowledge change exchange rates. However, the transformation of institutions involves the adjustment of knowledge itself in the process of co-construction of the art museum and the knowledge guard of the art museum. The actual referent of art museums is also being adjusted. From the perspective of public space, it determines the changes in the concept of public. The gallery space is no longer a place with restricted access, on the contrary, it becomes a public cultural space.

See him from all citizens and the world. How big is it. As art signs are related to knowledge and power, to a certain extent, art museums are both a standard space for mainstream culture. It has always been the focus of cultural policy support. The operation of public cultural facilities represented by art galleries has accounted for most of the country’s cultural budget. Art museums belong to the field of public culture. It needs to reflect the interests of the public. However, in the past few decades, diversity and globalization have gradually redefined democracy. The state is the method of use, and management in this context When defining cultural institutions, we have to ask a question, when we turn our art museum into a public cultural space, what are we talking about public? Is it really public? What are the new changes in the concept of citizenship? This change means the impact of the museum itself.